Collaborative work by Tony Torres and Samuel Aguirre
Counting The Days Credenza
Ash wood, bronze, cornstarch, glass, mulberry fiber, post-consumer paper pulp
L 19” - W 60” - H 30"
This environmentally conscious credenza utilizes natural and recycled fibers and an ancient Amate papermaking technique, and showcases hand-painted Mesoamerican imagery from the Tōnalpōhualli. The artists, Samuel Aguirre and Tony Torres, first met in 2023 during a papermaking class, inspiring Samuel to explore 3D objects rooted in traditional papermaking. Tony, a Chicano artist, integrates the Amate technique into his work to illuminate Mesoamerican history. This interdisciplinary project merges future furniture design with historical practices, resulting in a symbolic Counting the Days Credenza.
Chair 03, Amate
Cornstarch, cotton, mulberry fiber, post-consumer paper pulp
L 24” - W 26” - H 36"
This environmentally conscious chair utilizes natural and recycled fibers, an ancient Amate papermaking technique. The artists, Samuel Aguirre and Tony Torres, first met in 2023 during a papermaking class, inspiring Samuel to explore 3D objects rooted in traditional papermaking. Tony, a Chicano artist, integrates the Amate technique into his work to illuminate Mesoamerican history. This interdisciplinary project merges future furniture design with historical practices, resulting in a symbolic Chair 03, Amate.
Publications
2024 - New York Times - "At Milan Design Week, the Power Is Often in the Collection"
2024 - Sight Unseen - "How Should We Live Now? In Milan, RISD’s Objects May Shift Exhibition Offered a Woozy Vision for Our Domestic Future" -
2024 - Dezeen - "Twenty unmissable installations and exhibitions at this year's Milan design week"